The
first and last lines of this poem play an especially crucial role in the
reconfiguration of this ideal. The poem begins, “On the other side of a mirror
there’s an inverse world,” setting up not only the visual concept of a division
between this side and the other, but also using the word inverse to capture the fundamentally backwards nature of
Edson’s hypothetical world. In a
world where such anomalies as insane people going sane and sunrise occurring at
night are the norm, one might consider this arrangement to be completely far
fetched. The surprising and revealing truth of the matter is, however, that in
a world where every person is insane, one is just as concerned about acquiring
sanity as we are of losing it in our world, on our side of the mirror. So,
while the picture Edson paints looks to us like a wild concoction of Tim Burton
and Salvador Dali, it is truly no more bizarre than our world might seem to a
citizen of this inverse society.
Finally,
in the last, and arguably most profound line in Edson poem, we learn, “In such
a world there is much sadness which, of course, is joy . . .” To us, a
reversion from adulthood into childhood, a loss of all the great benefits of
being a cognizant and responsible human, seem very sad indeed. But is it truly
any more sad than the exchange of innocence for corruption, the rise from
peaceful youth to aggressive age. Without Edson’s unique perspective into a
world upside down and backwards in every way, we might be inclined to consider
our own situation to be the very happiest a situation can be. When we consider
it against our own reality, though, it becomes apparent that life is only what
one makes of it. Happiness is achieved only through making the best of one’s
circumstances, not attempting to radically alter them for some invented or
imagined ideal.
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